To open my mailbox like someone opening a surprise box and to feel the pleasure of discovery unleashed by an envelope decorated with stamps.
To be part of the world and also to discover it this way, with the help of those who share this vision.

Monday 31 May 2021

 COVER N.6 - France

Postmark "Service des Obliterations Philatélliques"; Boulazac - posted on the 27th May, received on the 31st.
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Another fine cover from Rolan, this time centre staged by the winner stamp of the 2019 Euromed (Postal Union of the Mediterranean) Stamp design competition.


The theme of for the 2019 Euromed Stamps was “Costumes of the Mediterranean”. The French stamp, denominated at 1,30€, depicts three dancing ladies dressed in the traditional woman’s costume of Arles, a Commune located in the South, in the Camargue region, for ever associated with the most prolific and troubled phase of Vincent van Gogh's life.

To attain the 1,50€ international 20g priority mail tariff in force in France in 2021, Rolan used the two 0,10€ stamps on the left side, part of the definitive “Marianne l’engagée” series,  issued in 2018.


 COVER N.5 - France

Postmark "Service des Obliterations Philatélliques"; Boulazac - posted on the 27th May, received on the 31st.
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Today was a fine day.  Mid morning and the familiar noise of the postman bike stopping by my door sounded like a good omen, so I grabbed the mailbox key and went outside to check.

Lo and behold,  the box was full and of the the several letters I did receive today (accompained by the unavoidable supermarket publicity leaflets), three were particularly welcome, since they were the first letters received in connection with my having joined a cover circuit club, in this case the London Cover Circuit.

Even though all three came from France, I'm sure that now, with the help of the members of the club, I will be greatly enhancing may odds of enlarging the geographical scope of my cover collection. Thank you very much for this nice cover, with very interesting stamps and postmark.  Roland.


The stamps on this cover are both 2014 issues.


The stamp on the right, with a face value of 0,98€ depicts an aerial view of the Seine River and the Ille de France with the Pont des Arts in the foreground.  This stamp is part of a joint Franco-Chinese issue of a 2 stamp set themed on “Rivers”, its companion stamp being denominated at 0,66€ and depicting a view of the  Qinhuai river, as it crosses the city of Nankin (or Nanjing).


This set was issued to commemorate the 50th anniversary opf the establishment of diplomatic relations between France and the People’s Republic of China.


The China connection is also present in the stamp on the left side, part of a 4 even priced (0,61€) stamp mini-sheet set, dedicated to “Bears”. It depicts that most gracious of all bears, the Ailuropoda melanoleuca  or “Panda Géant” (Giant Panda) which as everybody knows is a vulnerable species, only present in the wild in China. The other stamps on this set are the  “Ours Andin”, the Spectacled or Andean Bear (Tremarctos ornatus); the “Ours Kermode”, the Kermode Bear (Ursus americanus kermodei) and the “Ours Polaire”, the Polar Bear (Ursus maritimus).


Friday 28 May 2021

COVER N.4 - Canada

Postmark from Toronto ON - with legend "Torontos's First Post Office", posted on the 12th May, received on the 28th.
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Spring on a cover. That’s probably the best way to describe the outstanding envelope I just got from the land of the Maple Leaf, as if to remind me that the apple tree I have in my small garden is but part of a worldwide unfenced orchard that, comes spring, blooms white and rose and red in all 5 inhabited continents. Thank you so much, Jeff.


The stamps on the 2 stamp souvenir sheet, both rated "Permanent Domestic", depict two apple tree varieties developed locally. Quoting from a quote on a stamp news site:

"The pretty bright-pink flower of Malus ‘Rosseau’ was introduced in 1928 by the Central Experimental Farm’s pioneering ornamental plant breeder, Isabella Preston. The delicate white bloom of Malus ‘Maybride’ is a dwarf cultivar bred by Preston’s successors, Daniel Foster Cameron and Dexter Reid Sampson."

As if to remind us that spring follows on winter footsteps, a winter coated Ermine looks at us from the stamp on the left side of the cover. This beautiful stamp is part of a 5 “Permanent Domestic” rated set, themed on “Snow mammals” of Canada, that also includes the Peary Caribou; the Arctic fox; the Snowshoe hare and the Northern collared lemming.

According to the Canada Post website “Each stamp also reproduces its animal’s tracks in snow in fluorescent ink, which are only visible under ultraviolet (black) light”, so I’ll have to get me one of those, to see if they live up to their promise 😀.

Both issues are 2021 items.


Thursday 27 May 2021

COVER N.3 - United Nations - Vienna

Postmark from Wien - Vereinte Nationen, posted on the 21st May, received on the 26th.
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Third cover just in. This time not from a country, but , in a way, from a whole plectora of them. 

The United Nations Office in Vienna - UNOV - established on the 1st January 1980 is one of the four existing United Nations Headquarters, the other being located in New York, Genève and Nairobi. 

UNOV integrates the Vienna branch of the United Nations Postal Administration - UNPA - responsible for issuing stamps denominated in Euro, while the New York and Genève branches issue stamps in their local currencies, i.e., U.S. Dollars and Swiss Francs.

The stamps issued by the UNPA can only be used on mail sent from the United Nations Offices in New York, Genève or Vienna.

Thank you so much for such an interesting cover, Florian.


The stamp on the right side of the cover was issued in 2011, as part of a two stamp set (0,62€ and 0,70€), also issued in se-tenant format, on the subject of the International Year of the Forests, while the two 0,20€ stamps on the left are part of a two stamp set issued in 2010 (0,05€ and 0,20€), commemorating the International Year of Biodiversity. 
The fish depicted in the stamps is a striped cowfish (Aracan aurita), in an illustration taken from 1904's Kunstformen der Natur, by German biologist and scientific illustrator (amongst many other things) Ernst Haeckel.

Thursday 20 May 2021

A picture-postcard day, illustrated with a sun blowing warmer than the slight breeze, so slight that everything around us looks like details of a photograph... of a picture postcard.

I, therefore, write you of the day. As I don't know you, it is much easier this way, avoiding getting into intimacies that, even if of first or even lesser degree, should be saved for those whom we already know ... at the very least... a little.

And it's not so much the words. Moreover, I have a cumbersome and uncontrolled handwriting, and I need space to spread it out. A postcard doesn't let me write much, even if violating, to the limit of what is doable, the place reserved for the inexcusable address...

In fact, the great pleasure is hidden in the object itself.  It wouldn't even be necessary a text; just a simple and sequential Dear; street, nr., post code, country and the great adventure would be launched.

The rest is printed on the paper, be it the cheesy photo of a cheesier sunset gilding some cliffs, which, nonetheless, makes one wish we were there;  the view of the city; a monument; a tile detail; the reproduction of the work of art and - oh, pleasure of pleasures - the lick on the sugary back of the magnificent stamp, which will buy its right to travel.

But sending a postcard can be  a hard goal to achieve, these days...

Not long ago, on a summer trip that included Belgrade, I searched hard, as I always do in a city of the countries I visit, in kiosks, street shops, supermarkets, everywhere I went, for the desired polychrome cardboard rectangle, to no end.

Belgrade, the capital of Serbia, the ex-capital of Tito's Yugoslavia, does not have a postcard for sale anywhere? Is such a thing possible?

I'm waiting for someone to write from there and prove me wrong.

That's why I joined Postcrossing!

Wednesday 12 May 2021

 I’m joining a cover exchange club…

Blessed internet! This is really what I think all the communication tools now at our prompt disposal are really good and useful for: bridging space and distance, be it geographic; idiomatic; cultural; economic; political... all the adjectives that were once synonyms of a humble and perennial noun: difficulty.

When I was a kid colleting stamps in a shoebox, it was difficult to get access to stamps from any other country than yours. The more so if you lived, as I did, in a peripheral region where not even TV was available (what, on the other hand contributed to my having had a most joyous and happy youth). Since there were some people in our vicinity who had relatives who had immigrated to the USA, where there was (and is) a large Portuguese Azorean community, sometimes you’d come across and American stamp, but that was it.

My father, who was not a stamp collector, but who also believed in getting to know other people and in bridging cultural divides, once told me I should get a pen pal.

A Capital - that as the name of the now long gone newspaper  I believe to be the culprit - used to have a small section every month or so where it published addresses of people looking for penpals.  I chose one from Teresina, Piauí, Brazil, since I could only write in my mother tongue.

Armed with my 10 year old scant cultural baggage and scanter warehouse of words, I pulled a sheet of paper from my school notebook and wrote the traditional opening sentence that has graced millions of such letters before me: “Hi, my name is Pedro and I live in Portugal in Santa Maria Island, in the Azores, an archipelago in the Atlantic Ocean, and I am 10 years old”. I also added that I was collecting stamps and that I would love to have some Brazilian ones.

My father posted the letter, because I hadn’t the means (too few coins in the piggybank) to do it. And I forgot about it.

Months later, the postman rang once (he never needed to ring twice, for me). He handed me a nice cover, bordered in green and yellow stripes. On the top right corner, a couple of stamps. I was ecstatic. The more so when I carefully opened the cover: along with a nice letter from a girl who was twenty something years old, I believe, but who had been kind enough to reply to my childish missive,  a bunch of used stamps lay between the folds of the letter.

The stamps are long lost, my pen pal wrote me a couple of letters more and that was it, and i grew up to collect a lot of other immaterial things like stories from books, songs from records or friendships from people I came across along the way.

But  it all boiled down to bridging space and distance, and that’s why today I joined a cover exchange club.

Monday 10 May 2021

COVER N.2 - France

Postmark from Lyon-Vaise, posted on the 3rd May and received on the 10th.
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Second cover just arrived. Another absolute beauty. Thank you so much Eric. With a plural number now in the album, I can really say I've started a collection :-)















The lovely stamps were issued in 2018; 2019; 2020 and 2021, as part of sets themed on wild fauna and flora:

2018 - Mésange Bleu - Blue tit (Cyanistes caeruleus), part of an even priced (0,88€) 4 samp set designated "Oiseaux de nos jardins" (Birds from our gardens);

2019 - Violette de Rouen (Viola hispida), part of an even priced (0,88€) 4 samp set designated "La Flore en Danger" (Endangered Flora);

2020 - Rose de Mai -  Cabbage rose (Rosa x centifollia), part of an even priced (0,97€) 4 samp set designated " Fleurs de Grasse et de Mediterranée" (Flowers from Grasse and the Mediterranean);

2021 - Pingouin Torda  - Razorbill Auk (Alca torda), part of an even priced (1,08€) 4 samp set designated "Oiseaux des Iles" (Birds from the Islands).


Tuesday 4 May 2021

 “Could I have some commemorative Stamps, please, to put on some postcards?”

The lady at the counter looked at me as if I were Hans Solo cousin or a voyager from some time warping machine.

“sorry, only general issue auto-adhesive stamps for national or international service. We haven’t seen stamps here in a long while….”

“isn’t this a post office?”

“yes, but ….stamps….”

I looked around: a postal bank counter; shelves with books to sell; people paying utilities invoices; people wanting to ship parcels, but stamps……

This is a true and recent story. It happened to me just yesterday, when I went to post a couple of postcards and some covers to friends elsewhere in the globe.

On my return to this hobby, I couldn’t believe that stamps have become so almost ethereal in their existence….

There was a time when stamps were everywhere. True that there were not that many commemorative issues and most stamps on circulation were definitive that would circulate for a lot of time, but you could start collecting them because a good deal of the correspondence you’d get at home would have stamps on it. Nowadays you may never get a stamped envelope in your mailbox in a long while. There are probably children today that have never seen a stamped cover in their lives.

I like stamps, I was never a great collector, but I marvel at all the art and skill that goes into designing a stamp.

For me, looking at stamps can be an exercise akin to going to a museum. A pleasure for the eyes; a source of inspiration; a trigger to curiosity.

True that collectors love their stamps to be pristine  or MNH as their jargon goes, but lately I’ve come to think that part of the beauty of a stamp lies in its purpose.

A cancelled stamp tells a greater story than a mint one. further to the event or situation, or place or personality, etc. it celebrates,  it’s postmark bears the sound of distance conquered; the aura of good or bad news delivered; the wear and tear of mission accomplished.

I understand that stamps are also prey to automation and most of all to dematerialisation of processes. There’s no going back in evolution (a debatable assertion, I concede), but I’m hoping that stamps live longer than my own self.

And most of all I hope that next time I go to the post office I might be able to buy…. Stamps!